
Holly Stuart Hughes has an interesting article over at PDN Online about how photographer David A. Land goes about making sure his video interviews sound natural. He taught himself Final Cut Pro and edits his own footage.
For his assignment for Hand/Eye Magazine, a publication that supports handicraft around the world, and for West Elm, the home decor and furniture company, he used a Canon EOS 5D Mark II and a Canon EOS 7D, fitted with a 50mm f/1.2 lens and a 85mm lens.
Some of his take-aways:
- Make the interview sound conversational
- Have an assistant sit near the camera mounted on the tripod, so the subject has someone to look at while answering questions
- Go over the questions and answers with the subject and coach them on what works
- Do a lot of takes
Gemma Orkin for West Elm from David Land on Vimeo.
Read the article at PDNonline.











This year has been marked by many sad events: war, economic turmoil that is still being played out and natural disasters. In the world of photography, the year marked a turn in major news firms infringing on photographers’ copyrights, continued limits on public photography that don’t help anyone and death.
There’s an interesting article by Dan Havlik over at
As photographers, we see lots that could be improved in our cameras during daily use. We moan and complain, but whining is about all we do. However, some take the need, design a solution and market a product. Here are the story of five [wedding] photographers who did just that. Gary Fong spent $15,000 to make the Lightsphere and ended up selling hundred of thousands of it. Jessica Claire and Keats Elliott wanted a practical and stylish lens bag and ended designing and manufacturing the Shootsac Lens Bag & True Color Covers. Andrew Niesen and Rachel LaCour Niesen created the studio management program ShootQ because they thought there had to be a more efficient way to manage their appointments.




