Olympus PEN E-P5

Retro. The Olympus PEN E-P5 is the successor to the popular E-P3. It merges the cool retro design of the compact PEN F rangefinder camera with the high-end qualities of a [mirrorless] DSLR. New is the requisite Wi-Fi social sharing features (with easy set-up using QR code) we see cropping up in all new cameras. This allows Wireless Touch AF Shutter (view the image on your smartphone and use touch AF on smartphone to trigger the shutter on the camera) and Geo-tagging.

The distinctive styling of the PEN F rangefinder camera is carried over quite attractively. The use of high-quality textured metal for the top plate, shutter button, lens release button and arrow pad cover lends a premium look and feel to the camera. Olympus claims countless mock-up prototypes were used to finalize the design and placement of controls and dials. The PEN E-P5 will be available in an all-black, silver top and black, or white body.

The PEN E-P5 probably comes closest to match the high-end features of a DSLR: 1/8000 sec. max. mechanical shutter speed, Continuous Shooting at 9fps, 5 axis image stabilization, 1/320 sec. sync speed with the built-in pop-up flash, up to 1/4000 sec. sync speed with Super FP external flash, a high-speed AF (30% faster than E-P3), short release time lag mode, 3.0-in. 1.04 million pixels tiltable LCD, 0.5 sec. start-up, Focus Peaking function with use of manual focus lenses, optional external VF-4 EVF (2.36 million dot and 1.48x viewfinder magnification) with eye-sensor.

A new feature for those who travel a lot is the Photo Story theme that allows you to include multiple photos (or views of the scene) in a single one. Other features include Time Lapse and Art Filters.

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Fujifilm XF1

Classic with a twist. The Fujifilm XF1 is a compact premium digital camera with a retracting lens. It is beautifully designed with a clean retro look and incorporates the latest technology of the Fujifilm ‘X’ series. Its body is lightweight with durable aluminum body parts and synthetic leather covering. The XF1 makes a fashionable statement and is available in black, tan (brown) or red.

The XF1 uses a 2/3-in. 12MP EXR CMOS sensor paired with a bright F1.8 lens. The lens provides 4x optical zoom and optical image stabilization. Point and shoot with EXR Auto mode or select one of the PASM modes for total control of exposure settings. The XF1 features Film Simulation and Advanced Filter for creative effects.

The XF1 is fast with no practical shutter lag and AF is precise. The camera does not have a power button; instead, a 3-step process (twist the lens, pull and twist further) extends the lens and power the camera on at the same time. Zoom is manual and so you get precise control on the zooming speed and focal length desired. The 4x optical zoom provides a 25mm ultra-wide angle coverage as well as 100mm portrait coverage.

The 3.0-in. (460k-dot) LCD allows approx. 100% coverage and is ideal when composing macro shots (as close as 3cm) and other scenes that demand high-precision framing. The LCD gains up in low-light and a brighten feature makes it easier to view in bright sunlight.

The XF1 has 2 command dials and you can customize almost all the control buttons to set up the camera the way you like to shoot. Practical features include a Live Histogram and Electronic Horizon Leveling Gauge. Creative features include Partial Color, Multiple Exposure and Motion Panorama 360°.

Movie is shot at Full HD 1080p Movie 1920×1080 pixels at 30fps with stereo sound. Since the zoom is manual, you can zoom during movie recording.

The Fujifilm XF1 is for beginners who want a premium point-and-shoot digital camera or advanced photographers desiring an all-purpose everyday digital camera with point-and-shoot ease-of-use. This pocketable camera is as automatic or as manual as you desire it to be.

Read our Fujifilm XF1 Review…

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Nikon D600

Full-frame HD-SLR for enthusiasts. The Nikon D600 puts a full-frame FX-format sensor in a relatively compact and lightweight HD-DSLR. It is Nikon’s smallest and lightest full-frame offering at an affordable price that enthusiast photographers will find very attractive. The Nikon D600 features 24.3MP, ISO range of 100-6400 (expandable from 50-25,600), 5.5fps burst rate, 39-point AF system and Full HD (1080p) video.

For those who like to stay connected, a new optional WU-1b wireless adapter allows users to shoot high-quality HD-SLR images and transfer them to their mobile devices such as smartphones and tablets. The optional WU-1b Wireless Adapter allows users to remotely fire the D600’s shutter from up to 15.24m (50ft) away

The auto focus system features nine cross-type sensors for maximum accuracy, while seven AF points are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8 for extreme telephoto applications.

The D600 is ready to shoot in 0.13 seconds, with a 0.052 second shutter release. It is capable of bursts of images at 5.5 fps at full resolution to capture decisive moments. To enhance speed and workflow, images and videos are rapidly transferred to dual SD card slots that are compatible with the latest SDXC and UHS-1 high-speed standards.

The optical viewfinder provides 100% frame coverage. Or use Live View on the large 3.2-inch 921,000-dot LCD that features automatic brightness control.

The D600 records Full HD 1080p video at 30, 25 or 24p, and 720p video at 60, 50 and 30p. When shooting HD video at the highest quality setting, up to 20 minutes can be recorded, or up to 29 minutes and 59 seconds in normal quality. The onboard microphone captures monaural sound; you can record stereo audio using an optional external stereo microphone. Audio can be monitored through the headphone jack and levels can be displayed on the LCD with peaking. For monitoring and streaming applications, the image can be displayed on the LCD screen while simultaneously shown on another monitor through the HDMI, regardless of whether they are shooting data. Furthermore, the D600 adds the ability to transfer uncompressed videos via the HDMI connection, which can then be routed to a digital recorder or similar device.

The D600 uses Nikon’s Creative Lighting System (CLS). A built-in Speedlight commander can control multiple Speedlights such as Nikon’s SB-700, SB-910 or Wireless Close Up Speedlight System. The camera can also control up to two individual Speedlight groups for further creative control. X-Sync Speed is 1/200 sec (synchronizes with shutter at 1/250s or slower) while top FP High Speed Sync is up to 1/4000 sec.

The body of the D600 is sealed with gaskets for resistance against dirt and moisture. The camera is built with a magnesium alloy top and rear construction. The shutter is rated for 150,000 cycles. The battery lasts for approximately 900 shots; an optional MB-D14 Multi Power Battery Pack extends the grip for comfort and can effectively double the battery capacity when using two batteries.

The Nikon D600 will appeal to enthusiasts who are itching to get back into full-frame photography. They can now do so at an affordable price with a full-featured HD-DSLR.

Read our Nikon D600 review…

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Samsung GALAXY Camera

Social sharing your favorite photos and videos just got way easier with the Samsung GALAXY Camera. It is a super zoom digital camera featuring 21x optical zoom (23-483mm equiv.), optical image stabilization, 16.3MP resolution, a 4.8-in. LCD, and Wi-Fi. The clincher: it is powered by Android 4.1 Jelly Bean, which makes the user interface intuitive for those weaned on the latest generation of smart phones.

From the front and top, the Samsung GALAXY Camera looks and handles like a traditional camera with the familiar grip, shutter release button and zoom lever. Look at the back and you’ll quickly find that the Android platform is central to controlling all the features of the camera via the touch screen LCD. The user interface is very pretty, slick and intuitive. The Android OS brings voice control, downloadable apps and easy sharing to social sites.

The huge 4.8-in. LCD is bright and clear. It also means that the camera is big. Though this is basically a point-and-shoot camera, advanced photographers will appreciate the availability of PASM shooting modes.

You can record about 20-25 minutes of HD 1080p movies 1920 x 1080 @ 30fps with monaural sound.

The Samsung GALAXY Camera is available in black or white.

Read our Samsung GALAXY Camera review…

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Fujifilm FinePix F800EXR

Super zoom with wireless capability. The Fujifilm FinePix F800EXR is a compact super zoom with 20x [25-500mm equiv.] optical zoom, sensor-shift image stabilization, PASM modes and wireless sharing capabilities via smartphones and tablets. The FinePix F800EXR features a 16MP resolution on a 1/2-in. EXR CMOS image sensor.

The Fujifilm F800EXR is able to wirelessly connect to a smartphone or tablet, record the user’s current location data provided by the smartphone or tablet’s location data (latitude and longitude), and display it on the F800EXR’s LCD. You can also send the camera’s images to your smartphone or tablet to display on a map where images were shot. It has a database of approximately 1 million landmarks worldwide. Do you want to figure out the distance from your present location to the place where a tagged photo was taken? You can! Or do you want to find a nearby landmark but are not sure which way to go? Just take a picture of the scene in front of you, then use the database to find the distance to a nearby landmark in the direction the camera is facing.

Wireless Image Transfer function also allows you to connect the F800EXR to your smartphone or tablet and to upload high-quality images to social networking sites like Facebook and Twitter. However, you cannot wirelessly transfer to your PC.

EXR AUTO function automatically selects the optimum shooting mode from 103 shooting patterns, making it easy for the point-and-shoot user. Advanced users will appreciate PASM modes and RAW.

Six new filter effects are available and you can see the effects right on the LCD screen. Continuous shooting is 8fps at full resolution. You can capture Full HD (1080p) movie at 30fps with stereo sound.

Other features include:

• 3.0-inch LCD with 460,000 dots and Monitor Sunlight Mode
• Dual Image Stabilization (CCD shift and multi-frame technology)
• Multiple Exposure and 3D Shooting Modes
• Seamless Motion Panorama 360
• Pro Low Light mode plus capability up to ISO 12800

The Fujifilm FinePix F800EXR is an easy-to-use super zoom that packs a powerful 20x optical zoom in a compact pocketable body.

Read our Fujifilm F800EXR review…

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Canon EOS M

The EOS M is Canon’s long-awaited entry into the mirrorless universe, where the redundant mirror of the DSLR is removed and the photographer can see exactly what will be recorded onto the image sensor. Canon chose to follow a cautious route in its first mirrorless offering: the EOS M uses a large APS-C sensor in a decidedly point-and-shoot camera.

The use of an APS-C sensor similar to the ones it uses in its entry-level and enthusiast DSLRs means that it is poised, should mirrorless cameras gain a commanding foothold against traditional mirrored DSLR, to easily and quickly switch to the mirrorless camp. Designing the EOS M to be a point-and-shoot camera enables it to placate those in its camp who do not want this new category to compete with, and potentially cannibalize sales from, its own traditional mirrored DSLRs.

It’s in fact a good and smart compromise, though a great disappointment for enthusiast photographers who were hoping for a bolder introduction from Canon. This rather insipid move has regrettably immediately relegated Canon into a marginal player in the mirrorless category and leaves the field wide open to those competitors who have fully embraced the mirrorless concept and are tightening their grips in this market. After all, it has been 4 long years since the first mirrorless camera was introduced by Panasonic.

The EOS M is basically the entry-level Rebel T4i / EOS 650D traditional mirrored DSLR, minus the mirror and much of the control buttons. This leaves a point-and-shoot model that relies heavily on the touchscreen for camera control. Though the screen features a simpler interface, it’s a beautiful and large 3.0-in. LCD with a high 1040k-dot resolution that is so responsive it’s a pleasure to use. The existing control buttons are also easy and precise in their clikability.

The EOS M features 18MP resolution. There is no built-in flash (but a hot shoe is fortunately present), though the Speedlite 90EX (US $149.99) is included. There is no built-in viewfinder nor provision for an external one. The LCD unfortunately does not tilt or swivel. Point-and-shoot users will find it easy to use in AUTO mode; more advanced users has access to PASM shooting modes via the MENU. Continuous Shooting is at 4.3fps. A pleasant surprise in a compact camera (though not in an EOS model) for those who love shooting panoramas: the tripod socket is correctly placed in-line with the centre of the lens.

A new smaller mount, the EF-M, makes it possible to build the EOS M in a smaller form factor. Initially, two EF-M lenses are available: the EF-M 22mm [35mm equiv.] f/2 STM “pancake” lens (US $249.99, supplied with camera as kit lens) and the EF-M 18–55mm [29-88mm equiv.] f/3.5-5.6 IS STM 3x zoom lens (optional, US $299.99). However, the good news is that all EOS system EF and EF-S lenses can be mounted using the EF-EOS M mount adapter (US $199.99). The EF-EOS M adapter also has a detachable tripod mount foot for attaching longer and heavier lenses.

Positioning its first mirrorless camera firmly in the EOS system means that Canon reserves to itself the right to dramatically upgrade future models if it so pleases. After all, the EOS M has unimpeded access to, and is compatible with, a wide range of existing EOS accessories: Speedlite flash system and all of Canon’s EF and EF-S SLR lenses (via the EF-EOS M mount adapter).

The EOS M features the hybrid image sensor first seen in the T4i. It features phase detection as well as contrast detect AF sensors which, according to Canon marketing, should result in faster and more accurate auto focusing, especially during AF tracking. However, initial reports indicate this is regrettably not the case.

The EOS M is not a cheap camera (US $800 with the 22mm kit lens) and is built with attention to detail: the body features magnesium and stainless steel frame construction and feels unmistakably high quality in its handling and feel. Positioned between the prosumer G1X and the T4i, Canon apparently wants to use the EOS M to help consumers bridge the divide between the point-and-shoot models to its DSLRs. It emphasizes the video capabilities of the EOS M which records in 1080p Full HD at 24p/25p/30p fps with stereo sound.

The EOS M uses SD, SDHC, SDXC, and Ultra High Speed (UHS-I) memory cards.

The Canon EOS M will appeal to users who desire DSLR-level image quality but prefer a compact and easy-to-use point-and-shoot camera. Enthusiasts, your day is yet to come [we hope].

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Panasonic Lumix DMC-G5

The Panasonic Lumix DMC-G5 updates the G3 with some significant improvements that keeps it as one of the best mirrorless DSLRs available.

The Lumix G5 features 16.05MP resolution on a Four Thirds Live MOS sensor. It is compact and light, with all smooth curves. The body feels solidly constructed. The molded handgrip is larger than on the G3 for a more comfortable hold, and the Shutter Release Button is now in a more natural angled position. This is easily one of the most beautiful DSLM (Digital Single Lens Mirrorless).

There is a new Function Lever that functions like a top dial. It can be customized a number of ways: to act as a Zoom Lever when using Power Zoom lenses, thus allowing one handed operation of the G5; to control exposure or aperture in Manual mode; to magnify images in Playback mode; and, to page flip in Menu mode.

A large, bright 1,440,000-dot equivalent LVF (Live View Finder) integrates an eye sensor to automatically switch the image from the LCD to the LVF when you bring the camera to your eye. Additionally, Eye Sensor AF (Auto Focus) automatically starts focusing when the photographer looks into the LVF. A Diopter Adjustment Dial on the left side of the LVF is easy to set.

The Panasonic G5 has a large 3.0-inch LCD screen with a high 920k-dot resolution for a bright, clear and impressively sharp display. The LCD is of the rotating type so that you can protect it when not in use or turn it all the way to face the front. Touch-control shooting lets photographers focus on the subject by simply touching it on the screen. Pinpoint AF allows extremely precise near–pixel-level focus point setting at the touch of a finger. For those who prefer it, there is also manual focus.

An innovation here allows the touch AF feature to still work even when you are looking through the LVF. Even when there is no image displayed on the LCD (since the eye sensor has switched it to the LVF), you can move your thumb on the LCD (of course, the LCD would be opened wide as in the picture above) to set the AF point.

A practical addition is the new Electronic Level Gauge that is one of the easier implementations I’ve used.

Image quality is preserved at high ISOs: selective noise reduction creates a more naturally-balanced curve without deterioration of the image.

Those upgrading from a point-and-shoot digital camera will love the iA (Intelligent AUTO) and scene modes; the more advanced users has PASM shooting modes for complete control.

The Panasonic G5 uses the SD / SDHC / SDXC memory card.

The Panasonic Lumix DMC-G5 is a compact, elegant and powerful DSLM for those serious about their photography but do not want the bulk and weight of a traditional mirrored DSLR.

Editor’s Note: We have a Hands-on preview of the Lumix G5. Only the Handling & Feel and Photo Gallery sections are currently available. We will complete it with more detail when we get a camera for review.

• QuickFact Sheet / Buy
• Links

Panasonic G5	QuickFact™ Sheet
US | CA | UK | Lumix
Image Sensor	16.05 Megapixel, Live MOS 17.3 x 13.0 mm
Lens Mount	Micro Four Thirds mount
Image Stabilization	Optical, therefore dependent on lens attached
File Format	JPEG, RAW, RAW+Fine, RAW+Standard, Fine, Standard
Media	SD, SDHC, SDXC (Compatible with UHS-I standard SDHC / SDXC Memory Cards)
Viewfinder	Live View Finder (1,440,000 dots equivalent) Magnification: Approx. 1.4x / 0.7x (35 mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 Diopter Adjustment
Shutter Speed	1/4000 – 60 sec., Bulb (up to approx. 120 sec.)
Continuous Shooting	SH: 20 frames/sec (4M), H: 6.0 frames/sec (with AFS), M: 3.7 frames/sec (with Live View), L: 2.0 frames/sec (with Live View) 9 images (when there are RAW files with the particular speed) Unlimited consecutive shooting (when there are no RAW files) (depending on memory card size, battery power, picture size, and compression)
Shooting Modes	Program AE / Aperture Priority AE / Shutter Priority AE / Manual
Exposure Metering	Intelligent Multiple / Center Weighted / Spot
ISO sensitivity	Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step)
Dust Reduction System	Supersonic wave filter
Autofocus	Contrast AF system Focus mode: AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AF mode : Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint Quick AF, Continuous AF (during motion image recording), AF+MF, Eye Sensor AF, Touch AF, Touch Pad AF, Touch shutter, Touch MF Assist AF Assist Lamp
White Balance	Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2 / Color temperature setting
Display Monitor	7.5 cm / 3.0 in. Free-angle Touch Panel LCD, 920k-dot
Movie	Full HD 1,920 x 1,080 60p (NTSC) / 50p (PAL) videos in AVCHD Progressive (MPEG-4 / H.264) format MP4: 1,920 x 1,080, 1,280 x 720, and 640 x 480, all at 30p (NTSC) / 25p (PAL)
Remote Control	Cabled remote control with bulb function DMW-RSL1 (Optional)
Battery	Li-ion (approx. 310 shots, CIPA) included, Battery Charger
Dimensions (W x H x D)	119.9 x 83.2 x 70.8mm / 4.72 x 3.28 x 2.79 in. (excluding protrusions)
Weight (body only)	346g / 12.21 oz.
MSRP	body only: US $699.99 / CAD $ / UK £599 / € with 14-42mm lens: US $799.99 / CAD $ / UK £699 / € with 14-42mm Power Zoom lens: US $ / CAD $ / UK £829 / € with 45-150mm lens: US $ / CAD $ / UK £879 / €

*Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. Please consult manufacturer’s site for latest specifications.

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Product technical specifications (including MSRP and Included Accessories) are as represented by the manufacturer and subject to manufacturer's change without any notice or obligation on the part of the manufacturer. Product color availability and included accessories may also differ by country or area. Please verify the latest specs from the appropriate manufacturer's site.

Before you buy, do your homework and verify a seller's reputation. One source you may want to check with is Resellerratings.com. And remember, if a price seems to good to be true, it probably is.

DISCLAIMER:

Though we make every effort to strive for accuracy in reproducing these specs, we do occasionally make mistakes, so verify with the manufacturer's site for the latest specs. Also, in the early stages of a product introduction, you can almost guarantee there will be some errors from the manufacturers themselves as they update their sites. If you see any mistakes, please contact us. We do appreciate your writing in with the corrections and thank you in advance!

You can buy the Panasonic G5 from our Trusted Sponsor B&H Photo-Video, the Professional’s Source, satisfying millions of customers for over 35 years:

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• Panasonic G5 Press Release
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• Panasonic G5 Sample Images
• Panasonic G5 System Chart
• Panasonic G5 Parts and Control
• Panasonic G5 Included Software
• Panasonic G5 Optional Accessories

Panasonic Lumix DMC-LX7

The new LUMIX LX7 is equipped with a fully redesigned lens, image sensor and image processing engine and continues in the tradition of one of the most popular serious compact digital camera among photo enthusiasts. The LX7 features 10.1MP resolution (on a new 1/1.7-in. MOS sensor), a new 24mm ultra-wide angle LEICA DC VARIO-SUMMILUX lens with 3.8x optical zoom and F1.4 brightness at wide-end and F2.3 at tele-end, optical Image Stabilization to help reduce blurred shots due to camera shake, a new 7.6-cm (3.0-in.) 920k-dot Intelligent LCD screen, and Full HD Movie 1920×1080 60p videos with stereo sound.

The new sensor and Venus Engine allows a high-speed Continuous Shooting at 11 fps in full resolution. Advanced users will appreciate PASM shooting modes, RAW, a hot shoe, built-in Flash, optional Optical View Finder DMW-VF1, optional tilt-shift Live View Finder DMW-LVF2, and optional Wide Conversion Lens. The LX7 is equipped with an Aperture Ring, internal ND Filter, a new Focus Lever, Rear Dial and electronic Level Gauge. The new Aperture Ring makes selecting an aperture very intuitive and convenient. The internal ND filter makes it possible to reduce the light to use slower shutter speed by 3 steps for creative effects.

A dedicated movie button records high resolution Full HD 1920×1080 60p videos in AVCHD Progressive (MPEG-4 / H.264) format with stereo sound. You can also record high-speed videos at 120 fps (NTSC / HD) / 100 fps (PAL / HD) in MP4 format for dramatic slow motion playback. A Creative Video Mode lets you adjust the shutter speed and aperture when shooting video.

Want to get creative? The LX7 has 16 filters, plus Time Lapse, Multi Exposure and Panorama.

The Panasonic Lumix DMC-LX7 promises to be a popular choice among enthusiast photographers desiring a pocketable high performance digital camera that captures high quality images. It is available in Black (and White in some countries), priced at about US $499.99 (CAD $499.99).

Read our Panasonic LX7 Review…

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Panasonic Lumix DMC-FZ200

The Panasonic Lumix DMC-FZ200 is Panasonic’s top-of-the-line super zoom camera. It features 12.1MP resolution (1/2.3-inch High Sensitivity MOS sensor), a 24x ultra wide-angle optical zoom (25-600mm equiv.), a 3.0-in. (460k-dot) Free-angle LCD, Continuous Shooting at 12fps, and Full HD Movie 1920 x 1080/60p. Point-and-Shoot users will choose to leave the camera on Intelligent AUTO mode while beginners and more advanced users have access to all the semi-auto and manual modes with PASM shooting modes and RAW file format.

The 24x optical zoom lens is a Leica DC starting at an ultra wide angle 25mm (equiv.), perfect for taking group shots or wide vistas. The tele ends at 600mm (equiv.) and built-in optical image stabilization helps stabilize the camera at the long focal lengths.

The impressive feature of the FZ200 is the F2.8 aperture that is available throughout the full range, even at 600 mm, which should help tremendously with being able to use a fast shutter speed — and hence prevent camera shake — at the long focal lengths. The FZ200 also features optical image stabilization to help further reduce camera shake when using slow shutter speeds.

Get creative with Creative Control, Photo Style, and 3D Photo Mode. Continuous Shooting is 12fps at full resolution, 5.5fps/2fps with AF Tracking, 40fps at 5M and 60fps at 2.5M.

A 3.0-in. 460k-dot Free-Angle LCD rotates 180° to the side and tilts 270° up and down, making it very convenient when shooting at low-angle, high-angle and on a tripod. The 0.2-in. EVF features a 100% field of view, 1,312K-dot equivalent with a 60fps frame rate.

The DMC-FZ200 shoots Full HD Movie 1920 x 1080/60p for progressive recording. Sound is recorded by a stereo zoom microphone using the high-quality Dolby® Digital Stereo Creator. Mechanical noise caused by zooming during movie recording is suppressed to improve the clearness. The Auto Wind Cut function blocks out most of the noise from background wind to help make the human voice to stand out. Active Mode suppresses blur in video recording especially at wide angle while walking. You can select your preferred shooting mode: iA, PASM or Scene mode for movie recording. High-speed videos at 120 fps/240 fps allows slow motion playback. You can also take still images (3.5-megapixel at 16:9) without interrupting video recording. An optional Stereo Microphone DMW-MS1 clearly captures distant sounds in superb quality.

The Panasonic Lumix DMC-FZ200 is for those who desire an all-in-one high quality and powerful camera with a super zoom and full manual control. It’s perfect for photography students and as a travel camera.

Read our Panasonic FZ200 review…

• QuickFact Sheet / Buy
• Links

Panasonic FZ200	QuickFact™ Sheet
US | CA | UK | Lumix
Image Sensor	12.1 Megapixel (1/2.3-in. High Sensitivity MOS sensor)
Aperture	F2.8 / Multistage Iris Diaphragm (F2.8 – 8.0 (W,T))
Optical Zoom	f = 4.5 – 108 mm (25 – 600 mm in 35 mm equiv.) (28 – 672 mm in 35 mm equiv. in video recording)
Image Stabilization	Power O.I.S. (Optical)
File Format	RAW / JPEG
Media	SD / SDHC / SDXC (Compatible with UHS-I standard) Approx. 70 MB Built-in Memory
Viewfinder	0.21" Color EVF (1,312K dots equiv.), Field of View: Approx. 100%, Lens 18.4x
Shutter Speed	Still Image: Approx. 60 – 1/4,000 sec Motion Picture: Approx. 1/30 – 1/20,000 sec (Creative Video Mode: 1/8 – 1/20,000 sec)
Continuous Shooting	Full-Resolution Image: 12 frames / sec Max. 12 images with AF Tracking: 5.5 frames / sec, 2 frames / sec Intelligent Burst Shooting High-speed Burst Mode: Approx. 40 frames / sec (recorded in 5M for 4:3) Approx. 60 frames / sec (recorded in 2.5M for 4:3)
Shooting Modes	iA, PASM, Custom, Scene, Creative Control
Exposure Metering	Intelligent Multiple / Center Weighted / Spot
ISO Sensitivity	Auto / i.ISO / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 (Extended) High Sensitivity Mode (ISO1600 – 6400)
Macro	Normal: Wide 30 cm – infinity / Tele 200 cm – infinity AF Macro / MF / Intelligent Auto / Motion Picture: Wide 1 cm – infinity / Tele 100 cm – infinity
Autofocus	Normal / AF Macro / MF, Quick AF On / Off (on in Intelligent Auto), Continuous AF (only for motion picture), Focus Button, AF/AF Macro/MF Switchable, AF/AE Lock Button, Manual Focus, One Shot AF, AF Area Select, AF Tracking AF Assist Lamp
White Balance	Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1 / White Set 2 / Color Temperature (2-axis adjustable)
Display Monitor	3.0" (7.5 cm) Free-angle TFT Screen LCD Display (460K dots), AR Coating Field of View: Approx. 100%, Wide Viewing-angle Auto Power LCD Mode, Power LCD Mode
Movie	1920 x 1080/60p (Max. of approx. 4 GB of continuous motion picture can be recorded in MP4. In AVCHD, recording may be continued until the card is full.)
Remote Control	n/a
Battery	Li-ion (540 shots, CIPA) included
Dimensions (W x H x D)	125.2 x 86.6 x 110.2 mm (4.93 x 3.41 x 4.34 in.)
Weight	537 g (1.18 lb) without Battery and SD Memory Card 588 g (1.29 lb) with Battery and SD Memory Card
MSRP	US $599.99 / CAD $599.99 / UK £ 499 / €

*Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. Please consult manufacturer’s site for latest specifications.

---

Product technical specifications (including MSRP and Included Accessories) are as represented by the manufacturer and subject to manufacturer's change without any notice or obligation on the part of the manufacturer. Product color availability and included accessories may also differ by country or area. Please verify the latest specs from the appropriate manufacturer's site.

Before you buy, do your homework and verify a seller's reputation. One source you may want to check with is Resellerratings.com. And remember, if a price seems to good to be true, it probably is.

DISCLAIMER:

Though we make every effort to strive for accuracy in reproducing these specs, we do occasionally make mistakes, so verify with the manufacturer's site for the latest specs. Also, in the early stages of a product introduction, you can almost guarantee there will be some errors from the manufacturers themselves as they update their sites. If you see any mistakes, please contact us. We do appreciate your writing in with the corrections and thank you in advance!

You can buy the Panasonic FZ200 from our Trusted Sponsor B&H Photo-Video, the Professional’s Source, satisfying millions of customers for over 35 years:

- Lumix FZ200 Digital Camera





Amazon.com [US]

Panasonic FZ200

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Panasonic FZ200

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Panasonic FZ200

Or, Browse our Amazon Store (US) | (UK) | (CAN)

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Related Links:

• Panasonic FZ200 Press Release
• Panasonic FZ200 Parts and Control
• Panasonic FZ200 Technical Specs
• Panasonic FZ200 Gallery
• Panasonic FZ200 Optional Accessories
• Panasonic FZ200 Sample Images
• Panasonic FZ200 Line-up Comparison